- 423
GABRIEL OROZCO | Untitled
Estimate
100,000 - 150,000 USD
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Description
- Gabriel Orozco
- Untitled
- signed and dated 2013 on the reverse
- tempera and burnished gold leaf on linen canvas mounted on panel
- 15 3/4 by 15 3/4 by 1 3/4 in. 40 by 40 by 4.5 cm.
Provenance
Courtesy the artist and kurimanzutto, Mexico City and New York
Condition
This work is in excellent condition overall. Upon close inspection, there is evidence of surface irregularities, most noticeable in the area of the gold leaf, inherent to the work. Under Ultraviolet light inspection, there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"An object in motion, when it’s constantly colliding, when it’s involved in constant accidents, tends towards a circular form… The circle is not a platonic shape for me. For me the circle or the sphere is more what objects tend towards, when they are exposed to nature, collisions, and erosion.” Gabriel Orozco