- 160
DAVID HOCKNEY | Study of L.A., Paris
Estimate
100,000 - 150,000 USD
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Description
- David Hockney
- Study of L.A., Paris
- signed with the artist's initials and dated 75
- colored pencil and graphite on paper
- 25 by 19 3/4 in. 63.5 by 50.2 cm.
Provenance
Private Collection, New York (acquired directly from the artist)
Acquired from the above by the present owner in 2011
Acquired from the above by the present owner in 2011
Exhibited
New York, Paul Kasmin Gallery, David Hockney: Early Drawings, November - December 2015
St. Moritz, Robilant + Voena, Cabinet Room: David Hockney, August - September 2017
St. Moritz, Robilant + Voena, Cabinet Room: David Hockney, August - September 2017
Condition
This work is in very good condition overall. The colors are bright, fresh and clean. The sheet is hinged verso to the mat along the top edge. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Defined by its delicate coloring and technical mastery of line, this tender portrait is an exquisite example of the intimate series of colored pencil and crayon drawings David Hockney produced of his closest friends and family while living in Paris in the early 1970s. As Paul Melia has explained: “Indeed this series of portrait drawings provides evidence of Hockney’s attempt to re-orientate his practice as an artist, to establish a sense of contact with the work of individual past ‘masters’ and with the European tradition” (“The Drawings of David Hockney” in Exh. Cat., London, Royal Academy of Arts (and traveling), David Hockney, A Drawing Retrospective, 1996, p. 22). Hockney was introduced to the sitter, Linda Abrams, by the distinguished British art dealer and collector John Kasmin. This drawing encapsulates the distinctive naturalism and growing sensitivity that characterizes Hockney’s work of this period. Hockney’s Paris drawings illustrate the influence of a century of French art, as Ingres, Degas, Toulouse-Lautrec, Matisse and Balthus are all evoked by these portraits. The present work, executed in a studio that had once belonged to Balthus, takes particular inspiration from that enigmatic modern artist: one of Hockney’s rare female nudes, the depiction is at once academically technical and intimately sensual. Classically posed, adroitly translated, and fully rendered, Study of L.A., Paris is a work of consummate draughtsmanship that belongs to the highest tier of portraits by the artist.