Lot 189
  • 189

DANIEL BUREN | Point de vue ou le Corridorscope, Diptyque -Extrait n° 9situated work

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Description

  • Daniel Buren
  • Point de vue ou le Corridorscope, Diptyque -Extrait n° 9situated work
  • acrylic paint on woven cotton canvas, black and white stripes, each 8.7 cm large, alternated and vertical, in two parts
  • overall: 240 by 280 cm. 94 1/2 by 110 1/4 in.
  • Executed in 1983 for the exhibition Point de Vue ou Le Corridorscope at Musée des Arts Décoratifs, Paris and assembled by the artist in September 2003.

Provenance

Baronian-Francey Gallery, Brussels
Acquired from the above by the present owner in 2007

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although there are less magenta undertones in the original. Condition: This work is in very good condition. Close inspection reveals horizontal stretcher bar marks to both panels. All surface irregularities, media accretions, residues and pin holes are in keeping with the artist's working process.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

“At the beginning [working with stripes] was intuition. […] It was the idea to have something very banal, but very strong […] it was a sign, very easy to see and to play [with] - totally different work, completely attached to the site, and opening a different way. I was certainly not thinking I would keep that for so long, but little by little, I was still working with it 50 years later. […] It’s not only something you can recognize; it’s also something I can use to change an environment” (David Buren in conversation with Emily McDermott, ‘Stripes across the Decades’, Interview Magazine, 6 March 2015, online).

A certificate will be issued by Daniel Buren in the name of the new comer