Lot 137
  • 137

LOUIS CANE | Moïse, Aaron et Pharaon (3)

Estimate
7,000 - 10,000 EUR
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Description

  • Louis Cane
  • Moïse, Aaron et Pharaon (3)
  • Bronze
  • 200 x 40 x 41 cm; 78 3/4 x 15 3/4 x 16 in. (each)
i: signed and numbered 2/8painted bronze ii: signed and numbered 1/8painted bronze iii: signed and numbered 3/8painted bronze Executed in 1986, these works are part of an edition of 8.

Provenance

Acquired from the artist by the present owners

Exhibited

Galerie Beaubourg, Paris, Les sculptures de Louis Cane, 1989
Vence, Château Notre-Dame des Fleurs, Galerie Beaubourg, Louis Cane, Sculptures évidentes, 1993-1994

Literature

Isabelle Sobelman, Louis Cane, Sculptures, Volume II, Paris, 1991, p. 47, no. 60, illustrated

Condition

This lot is composed of three bronze sculptures. Each of the works present superficial scratches and faint traces of wear in places. All other surface irregularities are in keeping with the artist's technique. The works are slightly dusty. For one sculpture in particular, please not the sculpture is also composed of an additional seperate element.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

In his sculptures, Cane does the same than with his painting. He makes references and quotes in a spirit of derision, criticism, sometimes envy and admiration, but with respect and honesty in order to show the “fragmentation of contemporary culture, and its integration in a work itself fragmented.”