Lot 1060
  • 1060

YANG SHANSHEN 1913-2004 | PEONY AND POEM IN RUNNING SCRIPT

Estimate
6,000 - 8,000 USD
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Description

  • Yang Shanshen
  • PEONY AND POEM IN RUNNING SCRIPT
  • ink and color on paper, a pair of framed circular fan leaves
  • each 23.5 by 23.8 cm. 9 1/4  by 9 3/8  in. (2)
Painting signed Shanshen, with a dedication to Lung Kong, and one seal of the artist, yang Calligraphy signed Shanshen, dated bingchen, two days after mid-autumn (September 10, 1976), with one seal of the artist, shan shen

Condition

- Paper bears a tanned tone due to age. - Restoration can be found here and there. - Minor dirt and stain can be found.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Patrick Lung Kong (1934-2014) was an important filmmaker in the post-war Hong Kong film industry. Despite his family's background in traditional Cantonese opera, Lung Kong developed great interests in film. He joined the Shaw Brothers Studio in the late 1950s and from there began his pursuits in filmmaking. Active during the 1960s and 70s, Lung Kong's controversial works challenged the contemporary humanistic themes of Hong Kong movie and his pioneering productions had tremendous impact on his contemporaries and later generations of rising directors in Hong Kong. The Story of a Discharged Prisoner (1967)one of his most representative works, was widely known as the inspiration for John Woo's masterpiece A Better Tomorrow. Lung Kong met Yang Shanshen (1913-2004) in the 1970s. Coming from the same Lingnan heritage, Lung Kong was already familiar with the Lingnan School of Paintings. Yang soon became his fellow mentor as well as a close friend. After moving to the United States, Lung Kong pursued further education in film at New York University, he also practiced Chinese painting and calligraphy as a hobby. Paintings from this collection were gifts from Yang Shanshen including three works dedicated directly to Lung Kong.