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AN IVORY MINIATURE, JEAN BAPTISTE ISABEY, CIRCA 1800 | An ivory miniature, Jean Baptiste Isabey, circa 1800
Description
- ivory, gold
- miniature 4.8 x 3.3 cm
Provenance
Prince Victor Napoléon (1862-1926);
Prince Louis Napoléon (1914-1997)
Literature
Laure Junot, Memoirs of the Duchess D’Abrantès, vol. 1, New York, 1832, p. 256.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The sitter may, perhaps, be more plausibly identified as Caroline Murat (1782–1839), youngest sister of Napoléon Bonaparte. The same open-mouthed half smile was captured by Elisabeth Vigée Le Brun in a full length portrait of the her with her eldest daughter, Letizia, painted in 1807 (Châteaux de Versailles et de Trianon, inv. no. MV4712). This miniature, based on the style of costume and the artist’s technique, must have been painted around 1800, the year of the civil marriage of Caroline, then aged seventeen, to Joachim Murat. Isabey’s portrait has captured what Laure Junot, duchesse d’Abtantès, observed of her: ‘fresh as a rose: not to be compared, for the regular beauty of her features, to [Pauline Bonaparte], though more pleasing perhaps by the expression of her countenance and the brilliancy of her complexion’ (Junot, p. 256 ).