A PAINTED AND ENAMELED BISCUIT FIGURE OF RAHULA REPUBLIC PERIOD, SEAL OF ZENG LONGSHENG (1901-1964) |

the figure seated in monk's robes open at the neck exposing an emaciated chest, the proper right hand in prana mudra, the left on the knee and holding a mala resting above an alms bowl supported by the rockwork base, the base with an impressed rectangular cartouche seal reading Zeng Longsheng zao

In overall good condition with minor surface wear.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Zeng Longsheng was a Republic period Jingdezhen artisan who specialized in figural works. A complete set of the eighteen Luohan by Zeng Longsheng, donated by Sir Kenneth Ping-fan Fung, is in the collection of the University Museum and Art Gallery, University of Hong Kong, inv. no. HKU.C.1978.0654(1). Another example from the same series was sold at Christie's New York, 18th-19th September 2014, lot 983. Zeng Longsheng's series of eighteen luohan appear to be modeled after Guan Xiu's paintings from 891. Legend has it the paintings were created after Guan had a dream in which the luohan visited him and asked him to paint their portraits. The resulting images were taken from his visions. The paintings were treasured and preserved in a Zhejing monastery, and during the Qianlong reign were copied and propagated.