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ALEXEI ALEXEEVICH HARLAMOFF | Girl with Flowers
Estimate
150,000 - 200,000 GBP
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Description
- Alexei Alexeevich Harlamoff
- Girl with Flowers
- signed in Latin l.l.
- oil on canvas
- 106 by 74cm, 41 3/4 by 29in.
Provenance
Macconnal-Mason Gallery, London
Exhibited
St Petersburg, Moscow et al., XXXI Itinerant Exhibition, 1903–1904, no.105
Literature
Illyustrirovannyi katalog XXXI vystavki tovarishchestva peredvizhnykh khudozhestvennykh vystavok, Moscow, 1903, p.XII, no.105 listed as Devushka s tsvetami; pl.36 illustrated b/w
G.Romanov (ed.), The Society of Itinerant Art Exhibitions, 1871-1923, An Encyclopaedia, St Petersburg: Sankt-Peterburg Orkestr, 2003, p.277, no.3-394 listed and illustrated b/w
O.Sugrobova-Roth and E.Lingenauber, Alexei Harlamoff: Catalogue Raisonné, Düsseldorf: Edition A.Harlamoff, 2007, p.180, no.132 listed; p.183, pl.126 illustrated
G.Romanov (ed.), The Society of Itinerant Art Exhibitions, 1871-1923, An Encyclopaedia, St Petersburg: Sankt-Peterburg Orkestr, 2003, p.277, no.3-394 listed and illustrated b/w
O.Sugrobova-Roth and E.Lingenauber, Alexei Harlamoff: Catalogue Raisonné, Düsseldorf: Edition A.Harlamoff, 2007, p.180, no.132 listed; p.183, pl.126 illustrated
Condition
There is a wax relining. There is a layer of light surface dirt. There is a very fine pattern of craquelure and areas of paint shrinkage in places, including the flowers and the hands. Inspection under UV light reveals infilling to her face and hair and a diagonal line of retouching to her skirt. UV light reveals further retouching to the background, most notably to the upper left quadrant. Held in an ornate gilt plaster frame. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
After his first appearance at the Paris Salon in 1875 where his paintings were well received by French critics, Harlamoff swiftly found commercial success. He rented a representative studio at Place Pigalle, where he would receive his mainly French and English patrons and sell his paintings directly without the need to exhibit them at the Salon. Despite residing in Paris where he found international success, Harlamoff remained connected to Russia, often visiting his homeland and participating in various exhibitions. In the early 1880s he joined the Itinerants, regularly submitting paintings to their shows. The present work was shown at the 31st Itinerant Exhibition in 1903-04.