AN ALCARAZ CARPET FRAGMENT, SPAIN |

Catan Collection, Paris
Property from the Wher Collection, Sotheby's, New York, December 15, 2000, lot 142

Sovrani Tappeti, Palazzo Reale, Milan, Italy, 1999

Concaro, Eduardo and Alberto Levi, Sovrani Tappeti, Milan, 1999, p.195, No. 168
Ellis, Charles Grant, Oriental Carpets in the Philadelphia Museum of Art, Philadelphia, 1988, p. 257 (citation)

Overall measurements; 235cm across the top, 232cm across the bottom, 381cm the left hand side, 387cm the right hand side. Fragment with horizontal join across the centre, as visible. Other cuts and joins and inset sections, see for example rectangular section extending out from far left side; others within field which are smaller. There is a crescent shaped join in top left quadrant. Later binding on all four edges. Small repairs and reweaves, and the areas of localised repiling are in the areas which appear darker in the catalogue photograph, bottom left and top right. Inspection advised. Elegant drawing. Shadow of former self, due to pile being very low. Interesting from a compositional design perspective.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Pile carpet weaving was introduced into Spain during the Moorish occupation and continued to flourish during the Christian rule. The inspiration for the present carpet is the textiles, initially from Renaissance Italy and woven in Spain. The stem trellis and pomegranate design has been interpreted in a stylised pattern in the present weaving. There is a directly comparable example of an Alcaraz carpet, 16^th century, in the Victoria & Albert Museum, London (Inv.29-1889), with a border design of a double outline scrolling stem with stylised leaf motifs, and another in the Textile Museum, Washington (Inv. No.R44.003. For a comparable ‘Ogival Lattice Carpet’, Alcaraz, 16^th century (330 by 167cm); The Joseph Lees Williams Memorial Collection: 55-65-22), and comprehensive discussion of this group of Alcaraz carpets, see Ellis (1988), Cat.70, pp.256-259. Ellis notes that there are more than a dozen carpets in this pattern including an example in silk, in the Dallas Museum of Art (Wendy and Emery Reeves Collection). In some examples the double line of the stem trellis is dark indigo, as in the Victoria and Albert Museum example cited, and an example in the Textile Museum, Washington. On others it is yellow and would have stood out against what would have been a salmon red ground originally.

For an Alacaraz carpet, 16^th century (373 by 178cm), with trellis with reserves alternating with a stylised palmette and stylised quatrefoil scroll motif, see Christie’s, London, 14 April 1976, lot 17. For a more stylised Alcaraz rug, late 16^th century (226 by 145cm), in indigo against dark brown, of similar design inspiration, see Christie’s, London, 15 October 1998, lot 221. 

For Spanish textiles with similar designs from the Victoria and Albert Museum, London, see Bunt (1965), fig, 35, for a fragment of 15^th century silk damask, in green, white and fawn, on a crimson ground, and fig.50, for a fragment of 16^th century silk velvet.

Related Literature: Alexander, Christopher, A Foreshadowing of 21^st century Art: The color and geometry of very early Turkish carpets, New York and Oxford, 1993, pp.271-274 Bakti, J., ‘A Spanish Renaissance Carpet from the Deering Collection’, Hali, Vol.6., No.3., 1984, pp.284-285 Bunt, Cyril, G.E., Hispano-Moresque Fabrics, 1966, figs.49 & 50 Bunt, Cyril, G.E., Spanish Silks, 1965, fig, 35 & fig.50 Ellis, Charles Grant, Oriental Carpets in the Philadelphia Museum of Art, Philadelphia, 1988, Cat.70, pp.256-259 Denny, Walter B, and Farnham, Thomas, J, The Carpet and the Connoisseur, The James F. Ballard Collection of Oriental Rugs, Saint Louis Art Museum, 2016 Erdmann, Kurt, Seven Hundred Years of Oriental Carpets, London, 1970, Spanish Carpets, pp.209-214,  p.212, fig. 274 Spuhler, Friedrich, The Thyssen –Bornemisza Collection, Carpets and Textiles, London, 1998, Carpets, Spanish [66-69], pp.237-251 Torres-Ferrandis, J., Exposicion de Alfombras Antiquas Espanolas, Madrid, 1933, pl.24