A BLONDE TORTOISESHELL PORTRAIT BONBONNIÈRE, FRENCH, LATE 18TH CENTURY | A blonde tortoiseshell portrait bonbonnière, French, late 18th century

circular, the lid later inset with an oval miniature of Marie Louise, Empress of the French, by Jean Baptiste Isabey, signed: Isabey, circa 1810, wearing a gold-embroidered white dress with a standing lace collar, pearl necklace, earrings and comb, on a reeded foiled ground with foliate stamped gold frame, gold rims, struck with Paris petite garantie, 1809-1819 PNA 1245MN 1245

Eugénie, Empress of the French (1826-1920);
Prince Victor Napoléon (1862-1926);
Prince Louis Napoléon (1914-1997)

André Castelot, Alain Decaux & Pierre Marie Koenig, Le livre de la famille impériale. L’histoire de la famille Bonaparte à travers les collections du prince Napoléon, Paris, 1969, illust. p. 50 Related Literature

Arthur Léon Imbert de Saint-Armand, The Memoirs of the Empress Marie Louise, London 1886

Bottom mount has been re-attached, causing crinkling and losses to gold. Surface scuffed on base. Miniature clean and fresh.
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‘The marriage of H.M. the Emperor with the Archduchess Marie Louise has been celebrated with unsurpassable magnificence, to which the preceding fêtes bore no comparison. The truly prodigious quantity of diamonds and pearls, the richness of the costumes and uniforms, the innumerable quantity of lustres which illuminated all parts of the Castle, and the joy of those present imparted to the fête a brilliancy worthy of the great and majestic solemnity’ (quoted Imbert de Saint-Amand, p. 145 f.) The splendour described by the French Ambassador to the Duke de Cadore comes as no surprise for the marriage held in 1810 between Marie Louise, daughter of the last Holy Roman Emperor Franz II, and Napoléon, recently divorced from Joséphine, joining two Imperial houses. Jean Baptiste Isabey (1767–1855), Dessinateur du Cabinet de S. M. Empereur et Roi, was one of the most favoured artists of Napoléon’s court, he helped to define the iconographic identity of the imperial family, not only by the means of portraiture but also by the ceremonies, fêtes and public festivals that he was called upon to organise. Having been previously the drawing master of Empress Joséphine and her daughter Hortense, Isabey fulfilled the same role for Empress Marie Louise.