Lot 158
  • 158

DAVID GAMBLE | Andy Warhol's Wig, Glasses, and Watch

Estimate
6,000 - 9,000 USD
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Description

  • David Gamble
  • Andy Warhol's Wig, Glasses, and Watch
  • archival pigment prints
  • 48 by 40 in. (121.9 by 101.6 cm.)
chromogenic print on aluminum, framed, signed, titled, dated, and annotated on the reverse, 1987, printed later; accompanied by a Certificate of Authenticity, signed and dated in ink (2)

Condition

This chromogenic print on aluminum is in generally excellent condition. The colors appear rich and saturated with no signs of fading. The annotation on the reverse of the frame in ink reads as follows: 'Andy Warhol's Wig & Glasses and Watch / East 66th St. N. Y. C. 1987 / © DAVID GAMBLE / New Orleans, Oct 2017 / 1988-2018 SOTHEBY'S WARHOL HOUSE AUCTION / COMMEMORATIVE PRINT.'
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

In 1988, Sotheby’s New York hosted one of the most talked-about auctions of the decade, the sale of the Estate of Andy Warhol.  In addition to paintings and sculpture, some of the most hotly sought-after items were Warhol’s personal effects, including decor, clothing, and even his 1974 Rolls-Royce Silver Shadow.  The goal of the sale was to raise funds for the then-fledgling Andy Warhol Foundation for the Visual Arts. Soon after Warhol’s death, photographer David Gamble was permitted access to Warhol’s East 66th Street apartment.  There, he captured the placement of Warhol’s belongings as the artist had lived with them over the years.  Rather than simply documenting the space, Gamble’s careful still-lifes capture the humanity and fierce individuality of the artist.