Cornelis Biltius

Anonymous sale, Stuttgart, Nagel Auktionen, 11 October 2017, lot 821.

The canvas is lined, the paint surface is clean and the varnish is very slightly discoloured. There is a small spot of paint loss in the shadow of the woodcock's beak, as well as further tiny and unobtrusive specks of paint loss scattered throughout where the craquelure has lifted. Areas of retouching are visible throughout the white background, as well as one in the bird's shadow measuring approx. 6 x 4 cm. Inspection under ultraviolet light reveals these, as well as some further small retouchings in the bird's body, most notably contouring the upper half of its proper right wing, to the left of his proper right leg, and in his proper left wing. In overall good condition. Offered in a plain painted frame with small losses.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This composition was most probably inspired by the work of Cornelis' father, Jacob Biltius, and was possibly once surrounded by a trompe l'œil frame. We are grateful to Dr. Fred G. Meijer for endorsing the attribution.