117
117
Attributed to Pierre-Etienne Monnot (1657-1733)
Italo-French, circa 1700
RELIEF WITH FLORA
Estimate
15,00020,000
LOT SOLD. 17,500 GBP
JUMP TO LOT
117
Attributed to Pierre-Etienne Monnot (1657-1733)
Italo-French, circa 1700
RELIEF WITH FLORA
Estimate
15,00020,000
LOT SOLD. 17,500 GBP
JUMP TO LOT

Details & Cataloguing

Old Master Sculpture & Works of Art

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Attributed to Pierre-Etienne Monnot (1657-1733)
Italo-French, circa 1700
RELIEF WITH FLORA
white marble, on a veined cream and pink marble socle
relief: 35cm., 13¾in. 
overall: 50cm., 19 5/8 in. 
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Catalogue Note

Born and educated in France, Pierre-Etienne Monnot moved to Rome around 1687, establishing a successful career as a sculptor in the Eternal City. Foremost among his distinguished international clientele was Karl, Landgrave of Hesse-Kassel (1654-1730), who entrusted him with the lavish decoration of the Marmorbad in Kassel. Another important patron of the sculptor was the Englishman John Cecil, 5th Earl of Exeter (circa 1648-1700), for whom Monnot produced an elaborate tomb. Monnot was clearly valued by his patrons not only for his architectural and decorative designs, but for his considerable talent in executing busts; both Hesse-Kassel and Exeter commissioned portrait busts from the sculptor. The present relief finds a strong comparison comparison in a Bust of Flora, signed MONNOT FEC ROMA, which is similarly garlanded and has a wistful expression (Avery, op. cit., fig. 3). The relief is particularly close to a series of reliefs with Bacchants surmounting columns in the Octagonal Room of the Vatican Museums, which are likewise wreathed, have shallow truncations, and fill most of the field of relief, and are likewise associated with Monnot by Avery (op. cit.).

RELATED LITERATURE
S. Lami, Dictionnaire des sculpteurs de l'école française sous le règne de Louis XIV, Paris, 1906, vol. 2, pp. 381-384; R. Enggass, Early Eighteenth-Century Sculpture in Rome, University Park and London, 1976, pp. 77-88

This lot is the subject of a scholarly report by Dr Charles Avery dated 31 December 2017. The report is available upon request.

Old Master Sculpture & Works of Art

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London