Though the present work does not correspond precisely to any of these other depictions of this subject, the somewhat Rubensian handling of the pen and brown ink and the lavish application of wash, make this signed drawing a particularly fine and rare example of the artist's draughtsmanship.
1. G. Wilmers, Cornelis Schut (1597-1655): A Flemish Painter of the High Baroque, Turnhout 1996, pp. 138-139, cat. nos. A71 and A72, reproduced, p. 388
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