This drawing by Ango relates to the painting by Solimena, one of a set of four compositions completed by the artist in 1698 for the choir of the Abbey of Montecassino, all of which were destroyed in the bombardment of 1944. Ango's drawing is probably in fact after a lost drawing by Francesco Solimena, known also from a copy, now in the Statens Museum for Kunst, in Copenhagen.
1 The latter is indented with a stylus and blackened on the
verso for transfer, although no print of this subject is yet known. This composition shows differences, also in the format, from the final painted version, now known only from a
bozzetto in Budapest,
2 and a drawing in the Louvre.
3
This drawing will be mentioned in the drawings section of the forthcoming publication on Francesco Solimena.4
1. Copenhagen, Statens Museum for Kunst, inv. n. GB 426
2. Budapest, Szépművészeti Múzeum
3. Paris, Musée du Louvre, inv. no. 9792
4. See C. Romalli, in N. Spinosa et al., Francesco Solimena e Le Arti a Napoli, (forthcoming), Vol. II, under cat. D3