This drawing appears to be close to the work of the Urbino born artist, Antonio Viviani, who spent most of his life working not only in his native city, but also in Rome. The present sheet shows more the influence of Roman mannerism than the debt to the style of Federico Barocci (1528-1612), with whom Viviani trained. The softness in the use of the red chalk is quite typical of the artist's style.
Suggested Lots
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Old Master Drawings including the Collection of Professor Egbert Haverkamp-Begemann
Window mounted. Trace of an old fold horizontal in the middle. A light stain lower left at the level of the foot and few spots of foxing scattered . Two darker stains lower to the right and little rubbing lower right corner.
Media still fresh In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.