Lot 156
  • 156

FÉLIX-JOSEPH BARRIAS | Two designs for the decoration of the Hôtel du Louvre, ParisA) Autumn: The HarvestB) Autumn: The Hunt

Estimate
2,500 - 3,500 GBP
bidding is closed

Description

  • Félix-Joseph Barrias
  • Two designs for the decoration of the Hôtel du Louvre, ParisA) Autumn: The HarvestB) Autumn: The Hunt
  • Both black chalk and stumping, heightened with white, the first squared for transfer in black chalk, the corners shaped;both signed in pencil, lower left: F Barrias
  • Each: 125 by 244 mm

Condition

Both laid down on faded blue paper which has subsequently been hinged to a modern mount. There is some minor discolouration to the paper, but both works remain in otherwise good condition, with the medium fresh and vibrant throughout. Sold unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Barrias' was commissioned in 1855 to execute a number of painted decorations for the newly built Grand Hôtel du Louvre in Paris, prior to the building's opening in the same year. Though the project does not survive, a group of five drawings, executed in exactly the same technique and format as the two works that make up the present lot, are today housed in the collection of the Musée du Louvre, Paris.1 Collectively these seven drawings seem likely to have formed part of a decoration depicting the four seasons, a theme that Barrias is known to have explored during this project. 1. Paris, Musée du Louvre, inv. nos. RF 15047-15051