An Italian neoclassical carved and painted commode, Venice, circa 1780

the mottled red marble top above two long drawers, raised on cabriole legs

This charming commode has an attractive later top, it is in conserved condition and would benefit from professional attention. The painted decoration is worn in places, a swell as the gilding. There is re-touching to the white ground and there are losses to the moulding, namely to the drawers - visible from the catalogue photograph. There is some movement to the joins. With overall marks and scratches consistent with age and use. A charming and very decorative piece. Further photographs can be requested from the department.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present commode relates to a group of 'transitional' furniture created in Venice over the last quarter of the 18th century, and combining rococo and neoclassical decorative styles. Such pieces display a well-balanced mix of carved decoration such as ribbons and rosettes, sparingly applied to a light painted decoration of flower sprays on a lacquered, empty surface. The construction as seen on this lot is also typically Venetian, the serpentine front and concave sides still faithful to the rococo spirit so dear to many of the city's cabinet-makers. The neoclassical style arrived late in Venice, whose palaces had seen the most exuberantly idiosyncratic flourishing of the gout rocaille. First in the new taste was the residence of Count Mangilli at Santi Apostoli, its interiors redecorated by native architect Giannantonio Selva (1754-1819), who also designed the furniture.