Lot 123
  • 123

DAME ELISABETH FRINK, R.A. | Lying Down Horse

Estimate
60,000 - 80,000 GBP
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Description

  • ELISABETH FRINK
  • Lying Down Horse
  • signed and numbered 6/6; stamped with foundry stamp on the underside
  • bronze
  • length: 43cm.; 17in.
  • Conceived in 1975, the present work is number 6 from the edition of 6.

Provenance

Acquired by the late owner in the 1970s

Literature

Annette Ratuszniak (ed.), Elisabeth Frink Catalogue Raisonné of Sculpture 1947-93, Lund Humphries, Farnham, 2013, cat. no.FCR245, illustrated p.129 (another cast).

Condition

The sculpture appears sound. There are one or two extremely minor casting imperfections. The surface is uneven in places, in keeping with the Artist's intentions. There are some remnants of casting residue and light surface dirt and matter to these areas, particularly where the horse's front and back legs meet. There are a few small scattered flecks of oxidisation in places and to the underside. There is some light rubbing to protruding areas. This excepting, the work appears in excellent overall condition. The work is free-standing. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

‘[The] horse sculptures are nothing to do with the horses you see here in England – the hunter, the show horse, the race horse. They’re much more to do with the ancient spirt of the horse and with its evolution in relation to man…The fact that I was brought up with horses and taught to ride from an early age had no bearing on the horses I did in France. Those came because I discovered the Camargue… I used to go down to the Camargue and ride with the local cowboys’ (Elisabeth Frink, quoted in Edward Lucie-Smith and Elisabeth Frink, Frink A Portrait, Bloomsbury, London, 1994, p.50)