- 349
CHEN WEN HSI | Seven Gibbons
Estimate
380,000 - 550,000 HKD
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Description
- Chen Wen Hsi
- Seven Gibbons
- Signed in Chinese and stamped with the seal of the artist
- Ink and color on paper
- 136 by 66.5 cm; 53 1/2 by 26 1/4 in.
Condition
This work is in good overall condition as viewed. All inconsistencies are inherent to the medium. Framed, under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"I began to paint more gibbons only after I arrived here (Singapore). In the past, I had never seen gibbons before. One day, I saw one in a shop that sold birds. It looked exactly like what Muxi of the Song Dynasty painted in his famous painting. I was so happy that I bought it immediately and reared it at home. Since then, I began to observe this gibbon, its hands, its face... I painted it part by part until I became familiar with the animal. Then I went on to make generalizations, to see how its image could be simplified."
-Chen Wen Hsi1 1 Transcript of Oral History Interview with Artist, Convergences: Chen Wen Hsi Centennial Exhibition, Vol II, Singapore Art Museum, Singapore, 2006, p. 75
-Chen Wen Hsi1 1 Transcript of Oral History Interview with Artist, Convergences: Chen Wen Hsi Centennial Exhibition, Vol II, Singapore Art Museum, Singapore, 2006, p. 75