- 257
U SAN WIN | Shwedagon
Estimate
140,000 - 220,000 HKD
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Description
- Shwedagon
- Signed and dated 62
- Oil on canvas mounted on board
- 40 by 50.5 cm; 15 3/4 by 19 3/4 in.
Provenance
Private Collection, Singapore
Condition
This work is in good overall condition as viewed. There are pinholes along the edges of the work. Examination under ultraviolet light reveals no signs of restoration as viewed. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
U San Win is renowned for his pioneering painting style and was the first Burmese artist who embraced impressionism among the members of the early Rangoon School. With a gift for art at an early age, San Win spent his school holidays painting in the countryside with Professor Martin Ward, the president of the Burma Art Club. After Independence, the artist studied at the Goldsmiths College in London and was awarded a Fulbright Scholarship to attend Columbia University in the United States. Painted in the same historical year as the coup d’etat, Shwedagon captures a lively scene at one of Myanmmar’s most important spiritual sites. This complex yet dynamic composition reveals the strengths of U San Win’s signature style which is distinguished by his admirable skill in capturing natural light and shadow. With delicate brushstrokes, the artist renders the temple architecture and figures in lovely detail while paying tribute to Myanmar’s rich history.