SAYED HAIDER RAZA | Untitled (Jahaz Mahal)

Acquired in India by the W.H. Lyon family in 1947-1948
Thence by descent 

There are very minor spots of wear and associated pigment loss in the lower center. Spots of discoloration and small water stains in the work such as in the center and top edge appear inherent. This work is in overall good condition, as viewed. The colors are slightly darker in the catalogue illustration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The present lot is an archetypal example of Sayed Haider Raza's early work. It provides a rare glimpse into the beginning of the artist's practice, a time when his subjects consisted of landscapes and street scenes, defined by a shifting interplay of light and color. This painting appears to be a depiction of Jahaz Mahal inside the Mandu Fort, Indore. Raza held his first solo show in 1946 at Bombay Art Society Salon, where he was awarded the Silver Medal. The year 1947, when this particular work was made, was transformational for the artist. He went on to form the Progressive Artists' Group (1947–1956) with his friends Francis Newton Souza, Maqbool Fida Husain, Sadanand Bakre, Hari Ambadas Gade and Krishnaji Howlaji Ara.