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JITISH KALLAT | Dawn Chorus 9
Estimate
25,000 - 35,000 GBP
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Description
- Jitish Kallat
- Dawn Chorus 9
- Titled 'Dawn Chorus - 9' upper left and further signed, dated and titled '- 2007 JITISH KALLAT - DAWN CHORUS - 9' on reverse
- Acrylic on canvas with two bronze sculptures
- Canvas: 243.5 x 203.5 cm. (95 ⅞ x 80 ¼ in.); bronze sculptures: 17.2 x 16.5 x 47.6 cm. (6 ¾ x 6 ½ x 18 ¾ in.)
- Painted in 2007
Provenance
Acquired from Albion Gallery, London, 19 November 2007
Exhibited
London, Albion Gallery, Jitish Kallat: Unclaimed Baggage, 10 October - 19 November 2007
Literature
M. Price, Jitish Kallat: Unclaimed Baggage, Albion, London, 2007, illustration p. 59
Condition
There is light wear around the edges of the canvas. Very minor accretions and stains are visible upon close inspection. The paint surface is irregular but this appears to be inherent. Small spots of craquelure and loss are apparent under close scrutiny. A vertical undulation is present along the lower edge of the canvas and there are minor undulations in the corners. On the bronzes, tarnishing, wear and light scratches are present. The painting and sculptures are in good overall condition, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Jitish Kallat’s Dawn Chorus series reflects upon the socio-economic effects of globalisation on the city of Mumbai. Dawn Chorus foregrounds the disadvantaged and their daily grind, a result of living in the most populous city in India. Based on photographic images, the paintings in Dawn Chorus depict the faces of young boys who Kallat saw selling popular international books at street traffic lights in Mumbai. Given the monumental size and the colour palette of the canvases, the paintings resemble city billboards, an abundant feature in the landscape of the city. The artist mounts his canvases on bronze sculptures that are recreations of gargoyles that adorn the city’s 130-year-old Victoria Terminus train station. Central to Dawn Chorus 9, as in the other paintings in the series, is the compelling image of the boys’ hair wherein a single figure becomes a composite of many stories. Everyday imagery, traffic, people and animals pile up like a crumbling cascade of narratives, as if the hair was a manifestation of their inner exchanges.
Kallat speaks with great admiration of the book-selling children who readily navigate this metropolis: “The children sell these books with self-assured rigour. Often illiterate, they would offer a long sermon about the merits of the book. To me these young children almost become like mascots for the resilience of [a] tough city such as Mumbai. Above the forehead are rendered a thousand colliding stories; a complex narrative of 18 million people living on a tiny island of 468 square kilometres”. (J. Kallat quoted in Jitish Kallat: 365 Lives, Arario Gallery, Beijing, 2007, p. 26)
Kallat speaks with great admiration of the book-selling children who readily navigate this metropolis: “The children sell these books with self-assured rigour. Often illiterate, they would offer a long sermon about the merits of the book. To me these young children almost become like mascots for the resilience of [a] tough city such as Mumbai. Above the forehead are rendered a thousand colliding stories; a complex narrative of 18 million people living on a tiny island of 468 square kilometres”. (J. Kallat quoted in Jitish Kallat: 365 Lives, Arario Gallery, Beijing, 2007, p. 26)