Edit 16 lists around eight editions from the 1530s, most of which use the same woodcut portrait of Ariosto, first used in the 1532 Ferrara edition of Orlando furioso and based on the portrait by Titian. Baldacchini states that Zoppino is the printer of this edition, which appears to be a counterfeit of the first edition of c. 1533 (Censimento 16 CNCE 2567).
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