- 49
UTAGAWA KUNIYOSHI (1798-1861)THE GHOSTS OF THE TAIRA ATTACK YOSHITSUNE IN DAIMOTSU BAY EDO PERIOD, 19TH CENTURY |
Estimate
8,000 - 10,000 GBP
Sold
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Description
- 49.6 x 91 cm, 19 1/2 x 35 4/5 in.
woodblock triptych, each sheet signed Ichiyusai Kuniyoshi ga, published by Enshuya Hikobei, circa 1849-1852
Catalogue Note
The work depicts the ghosts of the Taira family exacting revenge upon Minamoto Yoshitsune (1159-1189). Following their brutal defeat during a historic battle at Daimotsu bay. The ghosts of the Taira clan are silhouetted against a dark sky as they attack Yoshitsune's ship and the troops can be seen lowering the boat's sails as the gigantic waves rise up. The noh play Funa Benkei [Benkei in the Boat] recounts this episode, which eventually ends well for Yoshitsune and his men due to Yoshitsune's faithful retainer, the monk Benkei, who offers prayers to the gods of the sea, causing the angry ghosts to disappear. This example is an earlier printing where the horns are still present on the ghosts - in later versions the horns were cut off, the reason for which is unknown.
For a similar impression in the collection of the Metropolitan Museum of Art, New York, accession number JP1565, go to: https://www.metmuseum.org/art/collection
For two further examples of this print in the collection of the Museum of Fine Art, Boston, accession numbers 11.30566A-C, 1992.568A-C, go to: https://www.mfa.org/collections/search
For further reading and additional impressions, including the first edition, see Robert Schaap, Heroes and Ghosts, (Amsterdam, 1998), p.101, and Yuriko Iwakiri and Amy Reigle Newland, Kuniyoshi: Japanese Master of Imagined Worlds, (Leiden, 2013), p.61
For a similar impression in the collection of the Metropolitan Museum of Art, New York, accession number JP1565, go to: https://www.metmuseum.org/art/collection
For two further examples of this print in the collection of the Museum of Fine Art, Boston, accession numbers 11.30566A-C, 1992.568A-C, go to: https://www.mfa.org/collections/search
For further reading and additional impressions, including the first edition, see Robert Schaap, Heroes and Ghosts, (Amsterdam, 1998), p.101, and Yuriko Iwakiri and Amy Reigle Newland, Kuniyoshi: Japanese Master of Imagined Worlds, (Leiden, 2013), p.61