Lot 471
  • 471

A LARGE MOLDED BLUE AND WHITE 'FLOWER BASKET' DISH QING DYNASTY, KANGXI PERIOD |

Estimate
4,000 - 6,000 USD
bidding is closed

Description

  • Porcelain
  • Diameter 13 1/2  in., 34.3 cm
the lobed sides rising to a barbed rim, painted in deep and varying shades of blue with a ribbon-tied woven basket of magnolias and peonies within the central medallion, the cavetto with outlined petals painted with flowering leafy branches of alternating camellia, peony, and prunus against alternating grounds of diaper, fish scales, and cross-hatch, the exterior with three branches of further blossoms and the base with an underglaze blue sprig of leaves within a double circle

Provenance

Ralph M. Chait Galleries, New York.

Condition

In overall good condition with scattered minor firing imperfections including kiln adherence at the foot ring, and fritting around the abraded rim. There is surface wear and a label adhered to the base.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The floral and geometric elements included in the present dish show a fully conceived work of art with a balance of nature and design. The petal-molding of the the sides of the dish, the petal-form outlines on the cavetto, the painted blossoms to the interior and exterior, and even the mark all can be interpreted as a representation of nature in abundance. Meanwhile, the woven sides of the painted basket, the geometric patterns below the rim, and the organization of the decoration as a whole all reference components of Chinese architecture and design.