A symphony of color fills Les Fruits enchantés, a finely executed work from Chagall's residence in the United States during World War II. While Chagall was devastated by the turmoil in Europe at this time, New York was filled with artists and intellectuals and the lively coterie coupled with the interest of museums and curators was a welcome reprieve. Chagall's contentedness was further complemented by a new exclusive business relationship with Pierre Matisse, whose eponymous New York gallery was fast becoming one of the most groundbreaking in the United States. "Pierre Matisse's first exhibition of paintings by Chagall took place from November to December 1941. The following March Chagall's work was included in the historic exhibition Artists in Exile, and additional one-man shows were held at the Pierre Matisse Gallery annually from 1942 until 1948" (Pierre Matisse and His Artists (exhibition catalogue), The Pierpont Morgan Library, New York, 2002, p. 94).

In 1944, Chagall's beloved wife Bella suddenly passed away. For months he could not paint. The canvases which appeared the following year are full of tributes to Bella's memory; aside from imagery of couples themselves, many of Chagall's compositions from the years immediately following Bella's death contain long, tapered candles, bouquets of flowers, baskets of fruit and canvases deeply saturated with passionate reds or deep, melancholy blues. 

A year after Les Fruits enchantés was painted, it was sold by Pierre Matisse to Frederick J. Hellman of San Francisco. Hellman was a well respected art collector who donated many of his works to the California Palace of the Legion of Honor including compositions by Vincent van Gogh and John Singer Sargent. Hellman gifted  Les Fruits enchantés to the museum in 1965 where it remained until 1990. It has been in the current private collection for nearly thirty years.