Maurice de Vlaminck
1876 - 1958
NU COUCHÉ
Étienne Bignou, Paris
Paul Kantor Gallery, Beverly Hills
Galerie Beyeler, Basel (acquired by 1960)
Maurice Laffaille, Paris (acquired from the above in 1966)
Private Collection, Switzerland
Acquired in 1971
(possibly) Paris, Petit Palais, Les Maîtres de l'Art indépendant, 1895-1937, 1937, no. 4
Basel, Galerie Beyeler, La Femme, 1960, no. 15, illustrated in the catalogue
Bern, Kunstmuseum, Vlaminck, 1961, no. 131a
Paris, Galerie Charpentier, Les Fauves, 1962, no. 136
Toronto, Art Gallery of Ontario, The Fauves, 1975, no. 18, illustrated in color in the catalogue
New York, The Museum of Modern Art; San Francisco, The San Francisco Museum of Art & Fort Worth, Texas, The Kimbell Art Museum, The "Wild Beasts”: Fauvism and Its Affinities, 1976, no. 107, illustrated in the catalogue (titled Reclining Nude and dated 1905-06)
Yamaguchi, Yamaguchi Prefectural Museum of Art; Nagoya, Aichi Prefectural Museum of Art; Kanazawa, Ishikawa Prefectural Museum of Art & Tokyo, Nihonbashi Takashimaya Art Galleries, Exposition Maurice de Vlaminck, 1982, no. 3, illustrated in color in the catalogue
Nottingham, Nottingham Castle Museum, Sounds of Colour, 1984, no. 7
London, Hayward Gallery, Sounds of Colour, 1988, no. 9
Nagoya, Aichi Prefectural Museum of Art; Kyoto, The National Museum of Modern Art & Tokyo, The National Museum of Modern Art, Fauvism and Modern Japanese Painting, 1992-93, no. 61, illustrated in color in the catalogue (dated 1905-06)
Sydney, Art Gallery of New South Wales & Melbourne, National Gallery of Victoria, Fauves, 1995-96, no. 84, illustrated in color in the catalogue
Tel Aviv, Tel Aviv Museum of Art, Fauvism "Wild Beasts", 1996, no. 55, illustrated in color in the catalogue
Saint-Paul-de-Vence, Fondation Maeght, Le Nu au XXe siècle, 2000, no. 153, illustrated in color in the catalogue
London, The Courtauld Gallery, Fauve Painting 1905-7: The Triumph of Pure Colour, 2001, no. 5, illustrated in color in the catalogue
London, The Courtauld Gallery, 2002-18 (on loan)
Gotthard Jedlicka, Der Fauvismus, Zurich, 1961, no. 52, illustrated n.p.
Gaston Diehl, Les Fauves, Paris, 1971, illustrated in color pl. XXXIV
Gaston Diehl, The Fauves, New York, 1975, illustrated in color p. 103
Jean Melas-Kyriazi, Le Nu féminin dans l'École de Paris, Lausanne, 1975, illustrated in color p. 163
Marcel Giry, Fauvism: Origins and Development, New York, 1981, no. 92, illustrated in color n.p. (dated 1906)
Sarah Whitfield, Fauvism, London, 1991, no. 155, illustrated in color p. 179 (dated 1906)
Jean-Louis Ferrier, Les Fauves: le règne de la couleur, Paris, 1992, illustrated in color p. 95 (dated 1906)
Niamh O’Laoghaire, The Influence of Van Gogh on Matisse, Derain and Vlaminck, 1898-1908, PhD Dissertation, The University of Toronto, 1992, illustrated pl. 86
Bernard Zürcher, Les Fauves, Paris, 1995, illustrated in color p. 135 (dated 1906)
Sarah Whitfield, Le Fauvisme, Paris, 1997, no. 155, illustrated in color p. 179 (dated 1906)
Judi Freeman, The Fridart Collection: Nineteenth and Twentieth-Century Modern Masterworks, London, 1998, illustrated in color p. 32
The Courtauld Institute of Art, ed., The 20th Century at the Courtauld Institute Gallery, London, 2002, illustrated in color p. 31
Maïthé Vallès-Bled, Vlaminck, Catalogue critique des peintures et céramiques de la période fauve, 1900-1907, Paris, 2008, no. 90, illustrated in color p. 224