MAX LIEBERMANN | Die Birkenallee im Wannseegarten, Blick auf das Kohlfeld (An Avenue of Birch Trees in the Wannsee Garden, A View of a Cabbage Field)
- Max Liebermann
- Die Birkenallee im Wannseegarten, Blick auf das Kohlfeld (An Avenue of Birch Trees in the Wannsee Garden, A View of a Cabbage Field)
- signed M. Liebermann and dated 1919 (lower left)
- oil on canvas
Gabriele Zimmermann (née Bühler), Stuttgart (by descent from the above in 1974)
Acquired from the above by the present owner in 1998
Liebermann’s practice of painting en plein air, as well as his method of exploring the same subject from a variety of viewpoints, demonstrates Liebermann’s status as the most important German post-Impressionist painter. Like Claude Monet, who never tired of painting his garden at Giverny, Liebermann painted the Wannsee garden from a variety of angles and at different times of day. In the present canvas, he depicted a path lined with birch trees that connected his villa with the lake, which can be glimpsed between the tree trunks. To the left of the alley, a woman can be seen working in the cabbage field. When Liebermann had his garden designed, he insisted on keeping the birch trees in their original place and thus created a wonderful picturesque path in his garden which became an inspiring source for many of his Wannsee paintings.