Lot 552
  • 552

Circle of Jacob Isaacsz. van Ruisdael

Estimate
15,000 - 20,000 USD
Log in to view results
bidding is closed

Description

  • Circle of Jacob Isaacsz. van Ruisdael
  • Wooded landscape with waterfall
  • oil on canvas
  • 100.5 x 83 cm

Provenance

Leuchtenberg-Romanoff, St. Petersburg;
Leuchtenberg, Paris;
A. Popoff, Paris;
Dr. Benedict, Paris;
Alfred Brod, 1963 (as Claes Molenaer).

Exhibited

London, Alfred Brod Gallery, Annual Autumn Exhibition of Paintings of Old Dutch and Flemish Masters, 17 October – 17 November, 1963, no. 18 (as Claes Molenaer);
Providence, Museum of Art, Rhode Island School of Design, Northern Baroque Paintings and Drawings from the Collection of Mr. and Mrs. Henry H. Weldon, 15 April - 7 June 1964, no. 20 (as Jacob van Ruisdael);
New York, Finch College Museum of Art, The Collection of Mr. and Mrs. Henry H. Weldon, 11 May - 30 June 1966, no. 34 (as Jacob van Ruisdael);
New Orleans, New Orleans Museum of Art, In the Eye of the Beholder: Northern Baroque Paintings from the Collection of Henry H. Weldon, 1997, cat. no. 45 (as Circle of Jacob Isaacsz. van Ruisdael);
Baltimore, The Walters Art Gallery, An Eye for Detail, 17th-Century Dutch and Flemish Paintings of the Collection of Henry H. Weldon, 20 June - 5 September 1999 (as Circle of Jacob Isaacsz. van Ruisdael).

Literature

T. Minty, In the Eye of the Beholder: Northern Baroque Paintings from the Collection of Henry H. Weldon, New Orleans 1997, pp. 115-116, cat. no. 45, reproduced p. 116 (as Circle of Jacob Isaacsz. van Ruisdael);
T. Minty and J. Spicer, An Eye for Detail, 17th-Century Dutch and Flemish Paintings of the Collection of Henry H. Weldon, Baltimore 1999, p. 103, cat. no. 44, reproduced (as Circle of Jacob Isaacsz. van Ruisdael).

Condition

Canvas has been relined. Craquelure is visible throughout but paint layer is stable. Picture is clearly dirty underneath the discolored old varnish. Ultraviolet light reveals this dirty old milky varnish and no retouches are visible underneath. A light cleaning would certainly brighten the picture and improve the overall appearance of the painting. In a carved giltwood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.