Luciano Fabro

signed and dedicated a Fernando complice di infinite imprese Luciano on the first page, signed and numbered 4/120 on the last page, executed in 1973, edition Stampatori Alfredo ed Enrico Rossi, Genoa, silkscreen on  calendered paper of 220 grams
(firmato e dedicato a Fernando complice di infinite imprese Luciano sulla prima pagina, firmato e numerato 4/120 sull'ultima pagina, eseguito nel 1973, edizione Stampatori Alfredo ed Enrico Rossi, Genova, serigrafia su carta calandrata da 220 grammi)

Studio Bibliografico Giorgio Maffei, Turin
Acquired from the above by the present owner in 2011 (Ivi acquistato dall'attuale proprietario nel 2011)

Franco Torriani, Libri circa, Turin 1982
Jole De Sanna, Fabro, Ravenna 1983
Enrico Pedrini, Arte Povera. Les multiples 1996-1980, Nice 1996
Giorgio Maffei, Arte Povera 1966-1980. Libri e documenti, Mantua 2006, p. 75, illustrated in colour another exemplar (illustrato a colori un altro esemplare) 

This work appears to be in generally good overall condition. The cover has signs of yellowing and wearing along the edges and inside the flaps. There is a fold in the lower right-hand corner. There is a scratch towards the upper end of the cover. There are signs of wearing, dust and an imprint on the back. (IN GENERALE L'OPERA E' IN BUONE CONDIZIONI. LA COPERTINA E' INGIALLITA E USURATA LUNGO I BORDI E LE PATELLE. VI E' UNA TRACCIA DI PIEGA IN CORRISPONDENZA DELL'ANGOLO INFERIORE DESTRO, VI E' UN GRAFFIO NELLA PARTE SUPERIORE DELLA CARTA. VI SONO SEGNI DI USURA, DI SPORCO E DI PRESSIONE SUL RETRO.)
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.