- 314
TRACEY MOFFATT | Something More #1
Estimate
15,000 - 20,000 USD
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Description
- Tracey Moffatt
- Something More #1
- signed and numbered AP on the reverse
- Cibachrome print
- 41 3/8 by 58 1/4 in. 105.1 by 148 cm.
- Executed in 1989, this work is number AP from an edition of 30.
Provenance
Private Collection, New York
Exhibited
Vienna, Kunsthalle Wien; Stuttgart, Württembergischer Kunstverein; Bozen, AR/GE KUNST; Bregenz, Vorarlberger Kunstverein, Tracey Moffatt, April - August 1998, pp. 10, 53 and 55, illustrated in color (another example exhibited)
Ulm, Ulmer Museum; Berlin, Neuer Berliner Kunstverein; Freiburg, Kunstverein Freiburg im Marienbad, Tracey Moffatt, 1999, p. 10, illustrated in color (another example exhibited)
Barcelona, Centre Cultural de la Fundació La Caixa; Santiago de Compostela, Centro Gallego de Arte Contemporánea; Paris, Centre National de la Photographie, Tracey Moffatt, May 1999 - January 2000, pp. 31-32, illustrated in color and illustrated on the cover (another example exhibited)
Roslyn Harbor, Nassau County Museum of Art, Tracey Moffatt, February - April 2001 (another example exhibited)
Ulm, Ulmer Museum; Berlin, Neuer Berliner Kunstverein; Freiburg, Kunstverein Freiburg im Marienbad, Tracey Moffatt, 1999, p. 10, illustrated in color (another example exhibited)
Barcelona, Centre Cultural de la Fundació La Caixa; Santiago de Compostela, Centro Gallego de Arte Contemporánea; Paris, Centre National de la Photographie, Tracey Moffatt, May 1999 - January 2000, pp. 31-32, illustrated in color and illustrated on the cover (another example exhibited)
Roslyn Harbor, Nassau County Museum of Art, Tracey Moffatt, February - April 2001 (another example exhibited)
Literature
Adrian Martin, "Tracey Moffatt's Australia (A Reconnaissance)", Parkett, No. 53, 1998, illustrated in color
Lourdes Peracaula, Ed., Tracey Moffatt, Barcelona and Paris 1999, p. 32, and cover, illustrated in color
Burkhard Riemschneider and Uta Grosenick, Eds., Art at the Turn of the Millennium, Cologne 1999, p. 394, illustrated in color
Brigitte Reinhardt, Ed., Tracey Moffatt. Laudanum, Ostfildern-Ruit 1999, p. 10, illustrated in color
Ned Rifkin, Ed., Chorus of Light: Photographs from the Sir Elton John Collection, New York 2000, p. 198, illustrated in color
Lourdes Peracaula, Ed., Tracey Moffatt, Barcelona and Paris 1999, p. 32, and cover, illustrated in color
Burkhard Riemschneider and Uta Grosenick, Eds., Art at the Turn of the Millennium, Cologne 1999, p. 394, illustrated in color
Brigitte Reinhardt, Ed., Tracey Moffatt. Laudanum, Ostfildern-Ruit 1999, p. 10, illustrated in color
Ned Rifkin, Ed., Chorus of Light: Photographs from the Sir Elton John Collection, New York 2000, p. 198, illustrated in color
Condition
This work is in very good condition overall. The print is mounted to board. There is evidence of minor dust accumulation underneath the frame. Only visible under very close inspection and raking light, there are a few, very faint, unobtrusive surface scratches and a few, minor surface accretions along the perimeter. This work was not examined out of its frame. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.