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ANDY WARHOL (1928 - 1987) | The Golden Slipper Show or Shoes Shoe in America, 'circa' 1956
Estimate
6,000 - 8,000 USD
bidding is closed
Description
- Andy Warhol (1928 - 1987)
- The Golden Slipper Show or Shoes Shoe in America, 'circa' 1956
- Sheet: 21 7/8 by 6 3/8 in. (55.6 by 16.2 cm.); Framed: 31 1/2 by 16 1/4 in. (80 by 41.3 cm.)
- Executed 'circa' 1956.
printed ink on paper; signed, title and inscribed
Provenance
Collection of the Artist
Private Collection
Acquired from the above by the present owner
Private Collection
Acquired from the above by the present owner
Exhibited
Taipei Fine Arts Museum, ‘Andy Warhol 1928-1987,’ October - November 1994 (another example exhibited)
Lausanne, Fondation de l'Hermitage, ‘Andy Warhol 1928-1987,’ May - October 1995 (another example exhibited)
Milan, Fondazione Antonio Mazzotta, ‘Andy Warhol,’ October 1995 - February 1996, p. 38, illustrated in color (detail) (another example exhibited)
Ludwigshafen, Wilhelm-Hack-Museum, ‘Andy Warhol,’ September 1996 - January 1997 (another example exhibited)
Helsinki Kunsthalle, ‘Andy Warhol,’ August - November 1997 (another example exhibited)
Warsaw, The National Museum; Krakow, The National Museum, ‘Andy Warhol,’ March - July 1998, p. 47, illustrated in color (another example exhibited)
Rio de Janeiro, Centro Cultural Banco de Brasil, ‘Warhol,’ October - December 1999, p. 30, illustrated in color (another example exhibited)
Kochi, The Museum of Art; Tokyo, The Bunkamura Museum of Art; Umeda-Osaka, Daimaru Museum; Hiroshima City Museum of Contemporary Art; Kawamura Memorial Museum of Art; Nagoya City Art Museum; Niigata City Art Museum, ’Andy Warhol,’ February 2000 - February 2001, no. 21, p. 56, illustrated in color (another example exhibited)
Lausanne, Fondation de l'Hermitage, ‘Andy Warhol 1928-1987,’ May - October 1995 (another example exhibited)
Milan, Fondazione Antonio Mazzotta, ‘Andy Warhol,’ October 1995 - February 1996, p. 38, illustrated in color (detail) (another example exhibited)
Ludwigshafen, Wilhelm-Hack-Museum, ‘Andy Warhol,’ September 1996 - January 1997 (another example exhibited)
Helsinki Kunsthalle, ‘Andy Warhol,’ August - November 1997 (another example exhibited)
Warsaw, The National Museum; Krakow, The National Museum, ‘Andy Warhol,’ March - July 1998, p. 47, illustrated in color (another example exhibited)
Rio de Janeiro, Centro Cultural Banco de Brasil, ‘Warhol,’ October - December 1999, p. 30, illustrated in color (another example exhibited)
Kochi, The Museum of Art; Tokyo, The Bunkamura Museum of Art; Umeda-Osaka, Daimaru Museum; Hiroshima City Museum of Contemporary Art; Kawamura Memorial Museum of Art; Nagoya City Art Museum; Niigata City Art Museum, ’Andy Warhol,’ February 2000 - February 2001, no. 21, p. 56, illustrated in color (another example exhibited)
Literature
Jesse Kornbluth, 'Pre-Pop Warhol,' New York 1988, no. 27, p. 82, another example illustrated in color
Condition
This work is in very good condition overall. The sheet is window matted and hinged at the reverse of the upper two corners to the backing board. There are scattered soft creases and six horizontal creases to the sheet. There is discoloration to the sheet, primarily by the edges. There is scattered pinpoint stray media, visible upon close inspection. There is a small accretion to the left vertical edge at the central horizontal crease, only partially visible when matted. Framed under glass.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.