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ZHANG HUAN (B. 1965) | To Raise the Water Level in a Fish Pond (Close Up), 1997
Estimate
15,000 - 20,000 USD
bidding is closed
Description
- Zhang Huan (b. 1965)
- To Raise the Water Level in a Fish Pond (Close Up), 1997
- Sheet: 47 5/8 by 66 1/2 in. (121 by 168.9 cm.); Framed: 48 by 67 1/2 in. (121.9 by 171.5 cm.)
- Executed in 1997, this work is number 8 from an edition of 15.
c-print; signed, titled, numbered and dated in Chinese and numbered '8/15' on the reverse
Provenance
Max Protetch Gallery, New York
Acquired from the above by the present owner
Acquired from the above by the present owner
Exhibited
New York, Max Protetch Gallery, 'Zhang Huan, Works from 1994-1998,' 1999 (another example exhibited)
Bochum, Museum Bochum Kunstsammlung, 'Zhang Huan,' April - June 2003 (another example exhibited)
Bochum, Museum Bochum Kunstsammlung, 'Zhang Huan,' April - June 2003 (another example exhibited)
Literature
Xunda de Galica and Cotterm Gallery eds., 'Zhang Huan - Pilgrimage to Santiago, Santiago de Compostela,' 2001, pp. 162 and 163, another example illustrated in color
M.Chiu, K. Bu, E. Hartney, Z. Huan, Eds., 'Zhang Huan: Altered States,' Milan, 2007, p.37, another example illustrated in color
M.Chiu, K. Bu, E. Hartney, Z. Huan, Eds., 'Zhang Huan: Altered States,' Milan, 2007, p.37, another example illustrated in color
Condition
This work is in very good condition overall. The sheet is window matted and cornered to the backing board. There is an undulation to the sheet. Framed under Plexiglas.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.
Catalogue Note
One of the crucial artists from China’s post-1989 avant-garde, Zhang Huan’s visceral performance pieces encourage dialogue between body and landscape. The present photograph from Huan’s noted 1997 work depicts a group of day labourers standing in a pond in Beijing Park. In an attempt to literally raise the water level, Huan hoped to confront a Chinese saying about the effect one person can have on his or her environment. The recording of this piece is currently on display in the exhibition ‘Land: Zhang Huan and Li Binyuan,’ at MoMA PS1 through September 3.