Lot 492
  • 492

GEORGE CONDO | Jesus on the Cross

Estimate
300,000 - 400,000 USD
bidding is closed

Description

  • George Condo
  • Jesus on the Cross
  • signed and dated 07 on the reverse
  • oil on canvas
  • 53 by 46 in. 134.6 by 116.8 cm.

Provenance

Galerie Andrea Caratsch, Zürich
Private Collection
Acquired from the above by the present owner

Condition

This work is in very good condition overall. There is evidence of substantial wear and handling to the edges of the canvas, with associated abrasions throughout. Embedded paint bristles are visible throughout, inherent to the work. Upon close inspection, there is evidence of surface accretion, most noticeably in the body of the central figure approximately 5.5 in. from the bottom edge and 18.5 in. from the right edge, likely from time of execution. Upon close inspection and under certain raking light, there is evidence of faint surface craquelure along the bottom edge and 5.5 in. from the left edge. Under Ultraviolet light inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"Significant art must somehow address the world in which it is made and presented. On the surface, a portrait of Jesus hardly seems like a vehicle for engaging current concerns, yet in its convergence of gravitas and cartoonish-ness, of emotional credibility and ridiculousness, Condo's painting sums up defining aspects of our relationship with contemporary culture. Simultaneously soliciting varied registers of response, it instills a general uncertainty as to how we might go about deciphering its mixed messages." Ralph Rugoff, "The Mental States of America," in Exh. Cat., New York, The New Museum (and traveling), George Condo: Mental States, 2011, p. 11