Lot 212
  • 212

SAM FRANCIS | New Gold Home

Estimate
150,000 - 200,000 USD
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Description

  • Sam Francis
  • New Gold Home
  • signed twice; signed with the artist’s initials, titled and dated Paris 1952 on the reverse
  • gouache and watercolor on paper
  • 24 by 19 3/8 in. 60.9 by 49.2 cm.

Provenance

Minami Gallery, Tokyo
Acquired from the above by the present owner in June 1978

Exhibited

Paris, Pavillon des Arts; Humlebaek, Louisiana Museum of Art; Tokyo, Ogawa Art Foundation, Yayoi Gallery, L'oeuvre de Sam Francis dans les collections du Musée Idemitsu, September 1986 - December 1987, cat. no. 6, illustrated in color
Toyama, Museum of Modern Art; Chiba, Kawamura Memorial Museum of Art; Museum of Art Ehime; Tokyo, Museum of Contemporary Art; Fukushima, Iwaki City Museum of Art; Oita City Art Museum, Sam Francis: From the Idemitsu Collection, August 2002 - October 2003, cat. no. 10, p. 35, illustrated in color

Literature

Contemporary Great Masters: Sam Francis, Tokyo 1994, pl. 63, p. 89, illustrated in color 

Condition

This work is in very good condition overall. There is light evidence of handling along the edges. There is a slight undulation to the sheet, inherent to the artist’s working method. The colors are bright, fresh and clean. The sheet is hinged verso to the mat intermittently along the mat. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

“Right or wrong, Sam Francis’s works remind the European of Monet’s late period. Let there be no mistake – it is not the semblance of colors and the atmosphere that justifies this comparison with Monet, but the miracle that, from an abstract conception, bursts forth the image of a lyrical pantheism to which Monet and Bonnard arrived at by means of the figurative, with Francis continuously transposing it and casting a spell over it.”
Arnold Rüdlinger in Exh. Cat., Paris, Centre Culturel Américain, Sam Francis, Shirley Jaffe, Kimber Smith, 1958

This work is identified with the interim identification number of SF52-015 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. This information is subject to change as scholarship continues by the Sam Francis Foundation.