Lot 183
  • 183

WAYNE THIEBAUD | Arizona

Estimate
250,000 - 350,000 USD
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Description

  • Wayne Thiebaud
  • Arizona
  • signed and dated 1967; signed twice, titled and dated 1966 on the stretcher
  • oil on canvas
  • 9 1/8 by 12 1/8 in. 23.2 by 30.8 cm.

Provenance

Allan Stone Gallery, New York 
Acquired from the above by the present owner

Exhibited

Indianapolis, Herron Art Institute, Painting and Sculpture Today! 1969, May - June 1969, cat. no. 134, p. 145, illustrated
New York, Allan Stone Projects, Wayne Thiebaud: Land Survey, October - December 2017 

Condition

This work is in very good condition overall. There is light evidence handling along the edges, including a 1-inch vertical hairline crack halfway down the right edge. The colors are bright, fresh and clean. Under Ultraviolet inspection, there is no evidence of restoration. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"I spend quite a bit of time looking at art in museums because that is for me one of the great ways of learning. I'll often go to a museum and draw, or sometimes I'll just go and sit and look at a paining for a fairly long time, sometimes as long as a couple of hours. Sometimes making little notations about it or just looking. I see the museum as a kind of bureau of standards setting criteria of excellence, in a way.  Things that we have saved that represent some of the most interesting things about human consciousness. So in addition to all the pleasure I get out of simply going to a museum, I also use it as a great resource: I try to steal whatever ideas I can."
Wayne Thiebaud