- 462
Yayoi Kusama
Estimate
450,000 - 650,000 USD
bidding is closed
Description
- Yayoi Kusama
- Infinity Nets [WFTO]
- signed, titled and dated 2016 on the reverse
- acrylic on canvas
- 51 1/4 by 51 1/4 in. 130.3 by 130.3 cm.
Provenance
Ota Fine Arts, Tokyo
Acquired from the above by the present owner in 2016
Acquired from the above by the present owner in 2016
Condition
This work is in excellent condition overall. The impasto peaks remain stable and intact. Under Ultraviolet light inspection, there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Considered a legendary pioneer in post-war art, Yayoi Kusama combines attributes of feminism, minimalism, surrealism, process-based art and even pop within her works. However, her spectacular oeuvre evades any such label because of the autobiographical meaning ingrained in her artistic gesture. Diagnosed with an obsessional neurosis, Kusama 'self-obliterates' her hallucinatory visions by reproducing them into nets and dots, transforming herself into a labour-intensive machine. She explained,"My nets grew beyond myself and beyond the canvases I was covering them with. They began to cover the walls, the ceiling, and finally the whole universe. I was always standing at the center of the obsession, over the passionate accretion and repetition inside of me" (the artist in conversation with Gordon Brown in Laura Hoptman, Akira Tatehata, and Udo Kultermann, Eds., Yayoi Kusama, London 2000, p. 103). In essence, the Infinity Net paintings are physical imprints of the artist herself, each loop of the net indexically linked to her very being.