Lot 180
  • 180

Keith Haring

Estimate
250,000 - 350,000 USD
bidding is closed

Description

  • Keith Haring
  • Untitled
  • signed and dated June 17-84 Le Mans on the reverse
  • Sumi ink and gouache on paper
  • 29 3/8 by 43 1/8 in. 74.6 by 109.5 cm.

Provenance

Private Collection, Le Mans (acquired directly from the artist)
Acquired from the above by the present owner

Exhibited

Le Mans, Village des 24 heures du Mans (Stand 49), Art et Sport: Keith Haring—François Boisrond, June 1984
Le Mans, Palais des Congrès et de la Culture, Art et Sport: 24 heures du Mans 1984, November 1984
Le Mans, Ecole des Beaux-Arts, François BoisrondKeith Haring, May 1987

Condition

This work is in very good condition overall. There is evidence of light wear and handling along the edges and within the image, including minor intermittent wrinkling and creasing to the sheet, most notably in the lower left quadrant and a soft crease in the upper left corner. There are artist’s pinholes in each corner. Under very close inspection, a few pinpoint and unobtrusive dark yellow spot accretions are visible approximately 5-inches above the main figure’s eyes and a minor, unobtrusive brown spot accretion is visible in the upper left corner. The sheet is hinged verso to the mat intermittently along the edges. Framed under glass.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"When you're drawing, it's completely separate because drawing is making a mark and cutting into space and just finding something that didn't exist before. It's pure creation in its simplest form..."
Keith Haring