Lot 22
  • 22

Damien Hirst

Estimate
220,000 - 320,000 EUR
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Description

  • Damien Hirst
  • Untitled F (Spot Drawing)
  • titled and dated 1995 on the reverse
  • colored pencil on paper
  • 150,2 x 116,5 cm; 59 1/8 x 45 7/8 in.
  • Executed in 1995.

Provenance

Jay Jopling, London
Private Collection
Haunch of Venison, London 
Christie's, New York, Post-War and Contemporary Art, 11 November 2009, lot 402
Acquired by the present owner from the above sale

Condition

This work is in very good condition overall. The sheet is hinged on the reverse at the top 2 corners. There are artist's pinholes in all 4 corners and 1 pinhole at the center left and center right edges of the sheet. The bottom edge and corners lift slightly and there are very soft creases along the bottom and right edges of the sheet and a vertical crease in the top left corner. There are a few, pinpoint accretions in the top quadrant. A soft undulation to the sheet is evident. Framed under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"I was always a colorist, I’ve always had a phenomenal love of color… I mean, I just move color around on its own. So that’s where the spot paintings came from—to create that structure to do those colors, and do nothing. I suddenly got what I wanted. It was just a way of pinning down the joy of color." Damien Hirst