The work is executed on its original canvas and is not relined. The edges of the canvas are covered by the frame. The colours are fairly accurate in the printed catalogue illustration although the overall tonality is brighter in the original work. Minor hairline cracks are visible upon close inspection on the thickest impasto's mainly located in the upper left quadrant and in the center of the lower half of the canvas. As visible in the catalogue illustration, the layers of paint in the dark blue areas leave a slight transparency that reveals the surface of the canvas. the Under Ultra Violet Light inspection there is no evidence of restoration. This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."