The work is executed on its original canvas and is not relined. The colours are fairly accurate in the printed catalogue illustration although the overall tonality is deeper in the original work. Stable cracks are located on the thicker impasto's mainly in the white areas. There are some binder traces in the center of the composition and in the upper left quadrant. The lower right quadrant presents a carefully restored tiny area of a former small cut (approx. 0,5 cm), visible only the reverse of the canvas upon very close inspection. Under Ultra Violet Light inspection there is no evidence of restoration. This work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."