Lot 34
  • 34

JÁNOS VASZARY | Budapest

Estimate
50,000 - 70,000 GBP
bidding is closed

Description

  • János Vaszary
  • Budapest
  • signed Vaszary J. lower left
  • oil on canvas
  • 59 by 74cm., 23½ by 29in.

Provenance

Acquired directly from the artist by the parents of Francis Bator; thence by descent

Exhibited

Budapest, Ernst-Museum, Vaszary János, 1935, no. 85

Condition

The canvas has been lined and stretched onto a modern wooden stretcher. Ultra-violet light shows some minor, isolated spots of retouching in the extreme right and upper edges, and some dabs of retouching in the sky. These have somewhat discoloured in time and are also visible to the naked eye upon close inspection. Otherwise, this work is in good condition and is ready to hang. A light surface cleaning might benefit to its appearance. Presented in a simple, silver frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Painted circa 1924-25, the present work is a rare view of the city of Budapest by János Vaszary. Looking out north-east towards Buda Castle, the view encompasses the dome of the Parliament building in the upper right, the Széchenyi (Chain) Bridge, and buildings of one of the oldest parts of Buda known as the Tabán, a bohemian area of the city at the time. With its quick brushstrokes and thick blotches of colour, the present work echoes similar views of Montmartre by nineteenth century French artists.