ROSA BONHEUR | Deux études de cerfs

In the family of the present owner since in circa 1970s

(i) watercolour, gouache, and pencil on paper laid on cardboard, thus preventing inspection of the reverse. The artist's sheet is somewhat undulated, with a few scattered spots of foxing visible in the sky. However, these are not distracting. This work is otherwise in good condition and is ready to hang. (ii) watercolour, gouache, and pencil on paper laid on cardboard, laid on a second sheet of cardboard, thus preventing inspection of the reverse. The artist's sheet is somewhat sunned, with a light brown mark from an old mat visible along it four framing edges. The sheet is also slightly undulated, with a few residues of what appears to be white paper (possibly from an old mat) adhering along the left, lower and right edges. This work is otherwise in good condition and is ready to hang. Both presented mounted, glazed and framed. Colours are somewhat deeper and less saturated in reality than in the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The authenticity of these works has been confirmed by Dr Annie-Paule Quinsac.