Hans Heysen

The sheet has been fully laid down on to board which has in turn been adhered to the mount along the upper edge. The very extreme upper right and lower right corners have been lost, however this is entirely invisible in the upper right, and only very slightly visible in the lower right corner in the present mount. There is a slight crease in the upper right corner. The lower left corner has been slightly unevenly cut. There appears to be one artist's pinhole in the lower left corner. There is some evidence of foxing, in particular towards the upper and left margins. There is also some evidence of some light surface dirt and studio matter. Subject to the above the work is in overall good condition with strong, vibrant colours throughout. The work is window mounted and held behind glass in a simple wooden frame. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present lot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

When not acting during the first of the Australian tours, Vivien bought gumtrees, tree ferns and furnishings for Notley Abbey as well as paintings, including work by Hans Heysen.