Italian, circa 1700

with a bronze plaque inscribed: INRI

Overall the condition of the bronze is good with minor dirt and wear to the surface consistent with age. There is particular dirt in the crevices of the hair and the perizonium. The bronze is cast in sections, and stable joints and original plugs are slightly visible at both arms. There is rubbing to the bronze, in particular to the high points at the rib cage, the knees, the nose and the eyebrows. There is a small dent to the tip of the nose. There are minor scratches to the surface. There is minor flaking to the patina, including to the feet and to the proper left knee. The modern perspex cross is in good condition with only minor scratches to some of the edges and corners.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This crucifix, with its expressive face and billowing perizonium, is reminiscent of the work by Alessandro Algardi (1598-1654), and was probably executed by a follower. A design for a crucifix in Montagu's catalogue (op. cit. no. 92) is particularly close to the present corpus. 

RELATED LITERATURE
J. Montagu (ed.) Algardi, L'altra faccia del barocco, exh. cat., Palazzo delle Esposizioni, Rome, 1999