Italian, Venice, second half 16th century

Overall the condition of the bronzes is very good, with minor dirt and wear to the surfaces consistent with age. There is some rubbing to the lacquer patina at the high points, as well as to the metal of the figures' noses. There is particular dirt in the crevices. There are a few minor nicks and scratches. There are further nicks and some warping to the top edges of the bases.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This attractive pair of bronzes relates stylistically to models by Alessandro Vittoria and his circle. A comparison of the present figures' facial type to the series of Satyrs that have been attributed to Andrea di Alessandri, called Il Bresciano (fl. circa 1550-1575), allows for a possible association with this Venetian bronze caster.

RELATED LITERATURE
L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, pp. 435-524; C. Avery, 'Not quite Sansovino and not quite Vittoria: Andrea di Alessandri, called Il Bresciano, in Sculpture Journal, IX, 2003, pp. 46-61