A Chinese export 'Masonic/Scottish Parliament' armorial punch bowl Qing Dynasty, Qianlong Period
- 12in wide
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
The vignette of Edinburgh’s old Parliament Close on this bowl is fascinating when considering Scottish subjects on Chinese Export porcelain and the supply of source material to Chinese painters. This view, also presented in an oval, was used by Sir William Forbes, James Hunter & Co. as a decorative device on the bank notes that their company issued. The view, after an engraving by Bell, and the equestrian statue seem to have been appropriated by the Bank as symbols. Their business was based in Parliament close, Edinburgh so this adoption makes sense. There is one of the company banknotes, dating from 1808, preserved in the collection of the Bank of Scotland, which is displayed in their museum on the Mound in Edinburgh which features the same view also in an oval. The use of gold painted ‘coins’ on the bowl also suggests a connection with Sir William’s bank. The company began issuing banknotes in 1782.
Interestingly there is another punch bowl which relates closely. This was sold by Sotheby’s in November 1987. It features an oval vignette, depicting a golfer, and has a similar blue border also heightened with gold stars and is roughly 1cm. smaller than the present lot. The image of the golfer was taken from a drawing by David Allen which figured on Edinburgh’s Royal Society of Golfers’ letterhead. The similarities are striking and the use of Scottish printed material as a source for Chinese artists is once again evidenced. Perhaps it may well be proved after further research that Mills & Thomas were responsible for this trade.