Lot 414
  • 414

A pair of Höchst candlestick figure groups of a shepherd and shepherdess, known as 'Kiss-candlesticks', circa 1755

Estimate
1,000 - 1,500 GBP
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Description

  • Porcelain
  • each approximately 22cm., 8 5/8 in. high
modelled by Simon Feilner, each holding a scrollwork branch, the shepherd embracing the shepherdess leaning in to kiss her, with a goat, a sheep and a dog at their feet, both groups painted in complimenting tones of puce, green and pale yellow, the small mound bases painted with patches of grass, edged in elaborate scrolls picked out in gilding and puce, one model with wheel mark in puce, the other with wheel mark in gold, impressed IH mark for Joseph Hannong,

Condition

Both groups are lacking their candle sconces. Typical chips to extremities and leaves, both with goat's right horn lacking. One group, with the female figure lacking top section of staff, her hat chipped, one firing crack in the base has extended.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Known as the Kußleuchter or "Kiss Candlestick", an example is published by Dr. E. Pauls-Eisenbeiss, German Porcelain of the Eighteenth Century, London, 1972, Vol. I, pp. 22-2, where other known examples of this rare model are listed. The model was so popular in the 18th century that Feilner later recreated it at the Fürstenberg manufactory.