Lot 23
  • 23

Adriaen Thomasz. Key

Estimate
6,000 - 8,000 EUR
bidding is closed

Description

  • Adriaen Thomasz. Key
  • Portrait of a bearded gentleman, bust-length, wearing black and a ruff
  • Oil on oak panel

Provenance

Anonymous sale, Cologne, Lempertz, 26 May 1989, lot 46.

Literature

K. Jonckheere, Adriaen Thomasz. Key (c. 1545–c. 1589). Portrait of a Calvinist painter, Turnhout 2007, p. 116, cat. no. A89, reproduced p. 297, fig. A89.

Condition

The panel is cradled, and appears to be constructed of a central section, flanked on each side and on the upper margin by panels measuring approx. 6 cm. wide. The paint surface is clean and the varnish is uneven but clear. Inspection under ultraviolet light reveals retouching along the joins of the panels on either side, and the top section has been repainted. There are some small patches of retouching either side of the sitter's forehead and five pinprick retouchings in his forehead. The sitter's beard has been very sensitively strengthened, particularly in his moustache, as have a couple of folds in his ruff and the dots on his sleeves. The details of the sitter's face are otherwise untouched. In overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

We are grateful to Professor Dr Koenraad Jonckheere, who has recently re-endorsed the attribution to Key following first-hand inspection of the painting.